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Cathedral I

A Virtual Stroll Around the Walls of Chester

The Cathedral II



Cathedral III


"I wolde I were as bare as the Beschope of Chester"
An ironic allusion to the wealth of the Bishopric c. 1470



Site Front Door
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A brief introduction to Chester / 2

The Northgate / 2 / 3
The North Wall
The Phoenix Tower
The Kaleyard Gate
/ 2
The Cathedral
/ 2 / 3
The Eastgate
/ 2
The Newgate & Wolfgate
The Amphitheatre 1
/ 01 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / Comments about
St. John's Church
/ 2
The 'Roman Garden'
River Dee
/ 2 inc Grosvenor Park
The Bridgegate
/ 2
The Castle
/ 2
The Grosvenor Bridge
The Roodee
/ 2
The Watergate
/ 2
The Infirmary
The Watertower
Tower Wharf
St. Martin's Gate
The Bridge of Sighs
/ 2
Chester's visitors through time
The Rows of Chester
The Chester Gallery
Old Maps & Aerial Photos
Old photos of Chester & Liverpool
Vanished Chester Pubs / 2
Chester Cinemas
The Old Port / 2
The Chester Canal / 2 / 3
The Royalty Theatre
Chris Langford Gallery
Mystery Plays Gallery
Chester Anagrams!
MickleTrafford Railway Stroll
Letters about the CDTS Busway
Letters about our site 1 / 2 / 3 / 4 / 5
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Links to Interesting Places
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painting of cathedral

Following the rule of St. Benedict, the monks of Chester Abbey lived lives of simplicity, held all things in common, worshipped eight times a day, studied, cared for the sick, welcomed travellers and fed the poor.
Around the year 1195, one of their number, Lucian, wrote enthusiastically of his brothers,

"The visitor meets with a cheery and kindly welcome and with joyful and affectionate looks. Food is put before him and a place at table is freely granted him with befitting graciousness. In their (the monks) characters are found simplicity, sincerity and refinement; in their manners orderliness, calm and self-control. Their goodness, as if emanating from the atmosphere of the place, should refresh every human mind. Just as we praise well-trained men because they are not borne down by the weight of their arms or the pertinacity of the enemy, so we admire the monks of Chester because they are not wearied by the toil of their joyful yoke. To the local people they are are cheery; to those who come from afar they are jovial, ready to open their hearts to them. The seats about their table are worn by reason of their being well-known and frequented by strangers. Seldom are they free from crowds flocking round them, and in all this do they follow the example of their King - if much has been given you, distribute it liberally; if little, this also impart cheerfully."


Bear in mind the importance with which the activities of these monks were held by the entire society. They were considered of equal status to, for example, the military: the role of the soldier was to defend the country, perhaps giving his life in the process, while the monk devoted his life to prayer- it was believed by all to be vitally necessary to keep the 'spiritual batteries' topped up in order to defend the world from the clutches of the Evil One.
During the later middle ages, however, the Abbey became extremely rich and powerful, owning land and property throughout Cheshire and far beyond. The Earls of Chester gave the Abbots rights equal within their jurisdiction to their own, which were themselves equal to those of the Crown elsewhere in the country. They were strict landlords and hard taskmasters. The medieval trials by fire, water and combat were practiced in the Abbot's courts and malefactors were summarily executed by the Abbot's officers.
(After the Dissolution, ecclesiastical justice continued to be administered in the Lady Chapel. It was here, in 1555, that George Marsh, a widower with children, was condemned to death for preaching the 'heretical' doctrine of Martin Luther by the Bishop of Chester, George Coats.
George Marsh was the only person martyred in Cheshire under Queen Mary. He was a preacher from Deane, a suburb of Bolton. He first went about the neighbouring villages preaching stories from the bible but was later employed by King Edward VI in 1547 as a preaching minister. He was a tall man and an eloquent speaker. But during the reign of Queen Mary his preaching came into conflict with the new Catholic ways. He was brought before Justice Barton at Smithills Hall but refused to change his ways and was imprisoned for a time at Lancaster Castle where people flocked to his prison cell to hear him preach. He was then moved to Chester to be tried. He was given the chance to go free if he recanted but his refusal sealed his fate. He dragged on a hurdle to Boughton (Chester's traditional place of execution, overlooking the River Dee about a mile from the town) where he was tied to the stake and a barrel of tar was set above is head to drip on him as he burned. It is said that the fire was badly managed and his death was "protracted". After it was over, his ashes were collected by his friends and buried in St Giles' Cemetery nearby. The spot where he, and countless others, died so cruelly is today marked by a memorial obelisk erected in the 19th century.

In 1636, the Bishop's, or Consistory, court was moved from the Lady Chapel into the unfinished south-west tower of the Cathedral, where its heavy oak furnishings- an enclosure with a bench, surrounding a large table, may still be inspected by visitors today, the only complete example to survive in all of England. Consistory courts dealt with all manner of legal issues affecting the church, some of a life and death seriousness but many more trivial- disputes about alterations to church buildings and the like. The last case heard at Chester was in the 1930s and concerned a priest who had attempted suicide.

Although the spiritual activities of the Abbey continued, by the 14th century, many of the monks were living a life of relative ease, often discarding their habits for fashionable dress with ornamental belts and trimmings. They hunted in the forest and feasted noisily- their scraps going not to the poor but to feed greyhounds and hunting dogs. Around 1480, it was recorded that "divers wymen" were accused of being "the paramours of the monkes of Chester".
old cathedral photographThe Abbot was all-powerful within his domain, answerable only to the Bishop and the Pope. By the 16th century, the monks were building fine new halls on their estates, the chief of these being at Saighton, about four miles south-east of Chester, where they laid out a thousand-acre park.
The Domesday Book records Saighton as belonging to 'St. Werburgh's', referring to the Saxon minster run by canons- the Benedictine monks came six years later, in 1092. They developed the land as a grange, or agricultural estate, later incorporating a country retreat for the Abbots. In 1249 they fortified the buildings- the Welsh border being not far away- and in the 1490s, during the reign of Henry VII, Abbot Simon Ripley rebuilt the gatehouse and marked it with his crest of a black dog and the motto "Advance Boldly".
This great gatehouse survives to this day, but the rest of the buildings are Victorian and modern and are now the home of Abbey Gate College, whose motto remains "Advance Boldly".

All this was to end in 1540 with the Reformation and Henry VIII's Dissolution of the Monasteries. In Thomas Hughes' colourful words, "Bluff King Hal, that shameless polygamist, in a fit of pretended religious zeal, dissolved all these fraternities, and, pocketing the spoil, dealt out their lands to his creatures with right royal munificence".
Throughout the country, the splendid old buildings were dismantled and sold off for building materials and the monks cast out, but in a number of places, Chester included, the abbey church was transformed into a cathedral and thus it was that John Clarke, the 25th and last Abbot, became the first Dean. He did not long enjoy his new office, which began 4th August 1541, as he died the following month.
We cannot blame him for surrendering the monastery, for it had become obvious that there was no alternative- his predecessor, Thomas Marshall, who had been become Abbot of Colchester Abbey, refused to give up his house, and, in 1539, was hanged outside its gates. The same thing happened to the Abbots of Reading and Glastonbury.
Of the twenty-two monks resident at the Abbey in 1538, ten were selected to remain as members of the Cathedral staff and the rest were issued with pensions and lump-sum gratuities of approximately a half-year's pension, in order to pay for their secular clothing, food and accomodation until their first pension payments became due. Thus, they can hardly be said to have been harshly treated.

"A Mouldering Sandstone Cliff"
At first, the fabric of the old building was treated with almost as little respect as that of the other dissolved abbeys. By 1580, it was "in great decay and the glasse thereof carryed to their pryvate benefices by the Dean and Chapter".

When the Roman Legions built the fortress of Deva, they were obliged to utilise the local sandstone, but had the wisdom to use only the hardest types available. (Chester's finest extant example of Roman masonry, the North Wall, in places stands strong and proud after seventeen centuries) The monks of the rapidly-expanding Abbey seemingly lacked the Roman engineer's knowledge and worked largely with softer, but more easily obtainable, types of stone. Consequently, over the centuries, the fabric of the building became seriously eroded. The Cathedral, in common with the rest of the town, had been badly treated during the Siege of Chester during the English Civil War in the 1640s, and lead was stripped from the roof in order to make musket balls.

In the early years of the 18th century, author and traveller Daniel Defoe said of it, "'Tis built of a red, sandy, ill-looking stone, which takes much from the beauty of it, and which yielding to the weather, seems to crumble, and suffer by time, which much defaces the building" and by 1798, it was described as "one of the most heavy, irregular and ragged piles".

Not that the problem of decaying stonework was confined to the Cathedral. The lovely church of St. John the Baptist over the centuries suffered no less than three collapses of towers- the central tower twice during the middle ages and the great west tower as recently as 1881.

Writing of the West Front of the Cathedral in 1854, local author and guide Thomas Hughes said "Time has, of course, been at work here, as elsewhere, gnawing away at the old red sandstone; but there is still enough left to give us an idea of its ancient beauty... but now fast going to decay."

cathedral porch(This remarkable aerial view- a detail from John McGahey's famous View of Chester from a Balloon- shows the cathedral and its surroundings as they appeared around this time).

Left: "the decay has gone deep into the stone and left its courses projecting, rounded and shapeless, like the layers of a mouldering rock"

Consequently, a number of more-or-less necessary restorations have taken place, including four during the 19th century alone- by Thomas Harrison in 1818-20, R. C. Hussey in 1843, Sir George Gilbert Scott in 1868-76 and Sir Arthur Blomfield in 1882-87.
Harrison, whose work we have encountered many times during our Chester wanderings, had a difficult relationship with the Cathedral authorities. Despite being asked by the Bishop, Dr George Law, to carry out the necessary work and submitting detailed estimates and drawings, he discovered that the Dean, who was actually responsible for maintainance of the fabric, wanted to pay someone else to supervise the plans he had so painstakingly prepared. In a forthright letter, he "presumed the Dean... wished to have a man of some experience to advise with, and superintend, the necessary works of this decayed building" and then asked rhetorically, "You cannot imagine that I, or any other person, would willingly lend his name as architect to the repairs required in this almost ruinous church... without having the superindendence of such repairs. Would the public be as ready to free me from the responsibility of any failure as the Chapter express themselves to be? I doubt it much".

Harrison was famously abrupt, but he knew his business and his opinion was doubtless valid, since virtually no maintainance work had been carried out on the building since the 1530s- 300 years previously. What the aforementioned Dean and his preceding 'guardians of the fabric' had been doing during this time is anyone's guess. Nontheless, the work on rebuilding the buttresses of the south transept, whose stability had long been a cause for concern, and also of repairing its gutters, went ahead without him. The latter work was so badly executed that it had to be redone a mere six years later. To add insult to injury, Harrison was not even paid his princely fee of £25 for his work during his lifetime. He may have considered himself a professional man, worthy of reasonably prompt payment for services rendered, but in the eyes of that 'Man of God', the Dean of Chester, he was a mere tradesman, whose bills could be paid- or not- when it was convenient. The money only appeared ten years after his death, and then only then when Harrison's executors demanded it.

Scott's restoration was the most radical- he wrote that virtually the entire building "was so horribly and lamentably decayed as to reduce it to a mere wreck, like a mouldering sandstone cliff". In a lecture in 1870 outlining his proposals, he declared that "probably no building in England has suffered so severely... the decay has gone deep into the stone and left its courses projecting, rounded and shapeless, like the layers of a mouldering rock. It is a distressing kind of work, yet, if conscientiously carried out it is the saving of the old design, even though the old material gives way to new."
The situation is clearly illustrated in the two photographs above- both of which had been taken after some restoration had taken place- notice how radically different those sections appear.

Right: Chester Cathedral bathed in winter sunlight: January 2007

Scott was amazed to discover that the eastern part of the church had no foundations at all, and it consequently had to be underpinned, with foundations inserted and missing buttresses replaced. Work on the Lady Chapel revealed, at a depth of nine feet below the present surface, a Roman concrete floor, a drain and traces of a road, which ran diagonally under the south-eastern buttress.
His aim in the restoration was to make the building conform to his Victorian concept of a mid-thirteenth century 'ideal' but seems to have overdone it to a great degree, especially on the outside of the building- the numerous 'fancy' features such as the flying buttresses, the parapets along the lines of the roof, the many pinnacles, the gargoyles and the curious five-sided apse at the end of the South Choir Aisle are all his inventions, being entirely absent in the original. It was also his intention to erect a tall steeple on top of the central tower but lack of money meant that this was never achieved. The four over-large turrets atop the tower would doubtlessly have looked more in keeping had the steeple been built.
When the work was complete, one writer thought the Cathedral "a building which, if rather painfully new in appearance, is at least sound, strong and water-tight".

Sir George (1811–78), a leader in the Gothic Revival in England, may be better known the architect of some of London's best known landmarks, the Albert Memorial, St. Pancras Station (where his son, also named George, tragically committed suicide in 1897) and the Foreign & Commonwealth Office in Whitehall. His working life had commenced with less glamourous commissions, however, notably workhouses and prisons. During his long carreer, he found time to build, restore and alter over 700 buildings around the country. Apart from Chester, Sir George also restored Ely Cathedral and Westminster Abbey- where he is buried.

Left: another of the strange medieval carvings in the choir of Chester Cathedral- half beast, half pilgrim enjoying a mug of ale...

Sir George's grandson, Sir Giles Gilbert Scott (1880–1960) also undertook an extensive programme of restoration at Chester in 1911-13, including the refectory and the badly-decayed cloisters- at the same time as he was also engaged in an epic undertaking twenty miles away: the construction of the swan song of the Gothic in England, the stupendious Liverpool Anglican Cathedral.

Incidentally, Sir Giles was also the architect of Battersea Power Station, restored the House of Commons Chamber after it was damaged in a bombing raid in 1941 and designed the famous British red telephone box- compare its proportions with those of the great tower of Liverpool Cathedral- the similarities are unmistakable!

Should you come to the UK, a visit to Chester's ancient cathedral followed by the two magnificent modern ones in Liverpool is an unforgettable experience.

Now go on to part III of our exploration of Chester Cathedral...

Curiousities from Chester's History no. 9


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